Another world beneath the streets of Rome

page0_1.jpgA superb mix of history, mystery and humanity. Booklist

This is definitely among this spring’s must-read crime fictions. Calgary Herald

If you are one of those individuals who believe there are very few writers left who can make you sit up and applaud, be forewarned. You’ll be putting your hands together in appreciation of David Hewson! Bob Walch, I Love A Mystery

David Hewson has a superb sense of pace and place, his characters feel real, and he writes a page-turner detective story like no other. Choice

…a sophisticated and original thriller that cements David Hewson’s burgeoning reputation as one of crime writing’s most exciting talents. Mystery and Thriller Magazine

page0_2.jpgIt begins on one of Rome’s least-known hills, the Aventino, in the public piazza fronting the mansion of the Knights of Malta. There a curious keyhole to the knights’ estate reveals an astonishing view, a direct line across the Tiber to the dome of St. Peters in the distance.

For seven-year-old Alessio Bramante the act of peeking through the keyhole on his way to school each day is a ritual, a way of establishing a bond with his difficult, distant father, one of Rome’s most famous archaeologists, Giorgio Bramante. Then one day, after an unexpected visit to one of Giorgio’s underground excavations, Alessio disappears. A group of students who had slipped into the site, an ancient Mithraic temple, attract the blame. A tragedy occurs. Alessio is never found, and it’s his father who goes to jail.

Fourteen years later, in an arcane shrine by the Tiber known as the Little Museum of Purgatory, a tee-shirt belonging to Bramante’s son begins to show fresh bloodstains. No one can understand how the marks have appeared behind the glass.

Soon it becomes apparent that the newly-released Giorgio Bramante is bent upon a vicious and terrifying revenge on all those he blames for the loss of his son, and numbers Inspector Leo Falcone, a member of the original investigating team, among his targets. In the depths of the labyrinth he knows better than any man, a distraught father seeks his vengeance against those he hates.

Nic Costa, watching Falcone move relentlessly into the man’s deadly grip, realises the answer to the deadly present must lie in solving a cold case that, like the forgotten Alessio Bramante, has long been regarded as dead and buried for good.

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